Remembering the musical greats we’ve lost in 2022

Each year, our reflections on the past 12 months tend to focus mostly on its best and brightest moments. But there’s also a sadder side to assessing the past year, such as remembering the music legends who left us this year.

In 2022 we lost some huge icons, from Fleetwood Mac’s Christine McVie to Migos member Takeoff, and a wealth of pioneering talent who’ve made modern music what it is today.

Calvin Simon (May 22, 1942 – January 6, 2022)

Calvin Simon. CREDIT: LANDMARK MEDIA / Alamy Stock Photo

A founding member of Parliament-Funkadelic, Calvin Simon helped steer the legendary collective through R&B, funk, acid-rock and much more, contributing to some of their most revered albums along the way. He featured on Parliament’s classic ‘Mothership Connection’ and Funkadelic’s ‘Cosmic Slop’ as a singer, before he parted ways with the collective in 1977. 20 years later, he reunited with Parliament-Funkadelic during their Rock & Roll Hall Of Fame induction speech. Simon died in January at the age of 79.

Ronnie Spector (August 10, 1943 – January 12, 2022)

Credit: Getty

An icon of pop, Ronnie Spector co-founded the seminal ‘60s girl group The Ronettes, launching a career that continues to hold great influence over pop music (the late Amy Winehouse in particular cited Spector as her hero). The Ronettes toured with and supported The Rolling Stones and The Beatles in their prime, while five tracks from their 1964 debut album charted in the US. They split in 1967 but reformed in 1973, with Spector leading them throughout. She died in January at the age of 78 following a battle with cancer.

Meat Loaf (September 27, 1947 – January 20, 2022)

Credit: Getty

Meat Loaf’s 1977 debut LP ‘Bat Out Of Hell’ is one of the best-selling albums of all-time: it remains so popular that it still sells an estimated 200,000 copies annually worldwide. Little surprise, then, that it spawned two equally fiery sequels (1993’s ‘Back Into Hell’ and 2006’s ‘The Monster Is Loose’). Rock fans were treated to his powerhouse, larger-than-life vocal performances throughout his recording career, the same that he’d utilise in his appearances in musicals like Hair and the film adaptation of The Rocky Horror Picture Show. Meat Loaf died in Nashville, Tennessee in January at the age of 74TS

Jamal Edwards (August 24, 1990 – February 20, 2022)

Jamal Edwards. CREDIT: Getty

At the age of 16, Jamal Edwards launched the online music platform SB.TV and kickstarted a music media giant that would give many future superstars their start. Ed Sheeran, Stormzy, Dave, Jessie J, AJ Tracey and many more got early exposure after going on SB.TV, giving new artists, particularly in the fields of grime and UK hip-hop, an important space to be celebrated and nurtured. Edwards died in February, aged 31.

Mark Lanegan (November 25, 1964 – February 22, 2022)

Mark Lanegan – CREDIT: Getty

A cult hero to many in the alternative music world, Mark Lanegan began his music career as a member of the grunge band Screaming Trees, a favourite of Kurt Cobain’s. Although the band didn’t reach the same commercial highs scaled by Nirvana, Lanegan was held in high esteem for his work with Screaming Trees – a foundation he built on with a series of solo albums and, later, collaborations with the likes of Queens Of The Stone Age, Duke Garwood and more. After surviving a terrifying encounter with COVID-19 that left him deaf and unable to walk, Lanegan passed away in February at the age of 57. No cause of death was announced.

Taylor Hawkins (February 17, 1972 – March 25, 2022)

Foo Fighters’ Taylor Hawkins in 2016 CREDIT: Ashley Beliveau/Getty Images

In March, news came that truly shocked the music world: Foo Fighters’ loveable and legendary drummer Taylor Hawkins had died while the band were on tour in South America. Only 50 years old, Hawkins had long cemented his position as an icon of rock, both as Foos’ grinning stickman and the go-to drummer for the likes of Slash, Brian May, Elton John, Ozzy Osbourne and more, all of whom he played with over the years. Two massive, star-studded tribute concerts in September highlighted the huge love musicians from all genres had for Hawkins, and the sizeable void his death had left.

Jordan (June 23, 1955 –  April 3, 2022)

Pamela ‘Jordan’ Rooke in 1977. CREDIT: Alamy

Fashion icon and punk legend Pamela Rooke’s first act of rebellion was changing her name to Jordan at just 14 years old, years before she became an integral figure of London’s underground scene in the ‘70s and was dubbed the “Queen of Rock”. She modelled for Vivienne Westwood, crafting the W10 London punk look alongside Johnny Rotten, Soo Catwoman and Siouxsie Sioux. Rooke was also a mainstay at Sex Pistols gigs, appearing with them on stage during their first televised performance of ‘Anarchy In The UK’ in 1976. She was recently immortalised on screen by Maisie Williams, who played Jordan in the band-inspired TV series Pistol. Rooke died in April at the age of 66 after a battle with a rare form of cancer. EC

Naomi Judd (January 11, 1946 – April 30, 2022)

Naomi Judd of The Judds attends the 2022 CMT Music Awards at Nashville Municipal Auditorium on April 11, 2022 in Nashville, Tennessee. CREDIT: Jeff Kravitz/Getty Images for CMT

One day before she was due to be inducted into the Country Music Hall Of Fame, icon of the genre Naomi Judd died, aged 76. She made her mark on country music as one half of The Judds, the band she formed with her daughter Wynonna, scoring five Grammys and enjoying a years-long victory streak at the three major country music awards shows in the US. The Judds stopped performing together in 1991 after Naomi was diagnosed with hepatitis C, before reuniting in 2000 for a massive tour and a handful of new material.

Ric Parnell (August 13, 1951 – May 1, 2022)

Although he performed as the drummer in bands like Horse, Atomic Rooster, Nova and Stars, Ric Parnell was best known for his role as Mick Shrimpton in This Is Spinal Tap. He joined Spinal Tap in blurring the lines between reality and fiction when they went on a real-life tour, positioning himself as Shrimpton’s “brother” Ric, and contributed to their 1992 album ‘Break Like The Wind’. Parnell died in May at the age of 70.

Vangelis (March 29, 1943 – May 17, 2022)

Vangelis CREDIT: Michael Putland

A largely self-taught musician, Evangelos Odysseas Papathanassiou – AKA Vangelis – was widely considered to be one of the most renowned composers in the world. He was behind the soundtracks of Blade Runner and Chariots Of Fire – he won an Oscar for his work on the latter film – while becoming a pioneer for electronic music in the process. He died from heart failure in May at the age of 79.

Andy Fletcher (July 8, 1961 – May 26, 2022)

Andy Fletcher of Depeche Mode. CREDIT: Francesco Prandoni/Redferns

While Dave Gahan and Martin Gore pushed Depeche Mode forward with their public personas, Andy Fletcher – a founding member of the band – quietly drove their momentum from the back. The keyboardist took on business duties for the group, keeping them going over the years and helping them maintain their position as one of the most influential acts in electronic music. Fletcher died in May at the age of 60 after suffering an aortic dissection.

Ronnie Hawkins (January 10, 1935 – May 29, 2022)

Ronnie Hawkins. Credit: Getty Images.

Rowdy Canadian rockabilly musician Ronnie Hawkins was known not only for his own music and larger-than-life stage presence, but for the acts he nurtured. He formed The Hawks in the early ‘60s and mentored his backing musicians, which included Robbie Robertson, Rick Danko and Garth Hudson. They went on to travel to the US, eventually backing Bob Dylan and forming one of rock’s most influential acts, The Band. When they were inducted into the Rock & Roll Hall of Fame in 1994, they thanked “The Hawk” for bringing them together and teaching them the “code of the road”. Hawkins died in May at the age of 87 after an illness. EC

Julee Cruise (December 1, 1956 – June 9, 2022)

Julee Cruise in 2015 CREDIT: Amy T. Zielinski/Redferns

Julee Cruise operated mostly as a cult figure whose name bubbled beneath the mainstream, but was fiercely beloved by those who knew her. A frequent collaborator of composer Angelo Badalamenti and director David Lynch, she was best known for her 1989 single ‘Falling’, an instrumental version of which became the theme tune to Lynch’s Twin Peaks. Cruise often appeared in the show as a singer, while over her career she also served as a touring member of The B-52s and worked with Moby. She died in June at the age of 65.

Paul Ryder (April 24, 1964 – July 15, 2022)

Happy Mondays’ Paul Ryder CREDIT: Andrew Benge/Redferns

A founding member of the Happy Mondays, Paul Ryder was integral to the group’s music; his funk-laced basslines helping craft the band’s distinctive sound. Although he left the band in 2001, he rejoined them for their 2012 reunion and toured with them until his death. Between his Happy Mondays duties, Ryder toured with Tom Tom Club, wrote scores for TV shows and appeared in films including 24 Hour Party People. He died in July at the age of 58.

Olivia Newton-John (September 26, 1948 – August 8, 2022)

Olivia Newton-John CREDIT: Rodin Eckenroth/Getty Images

Best known for playing Sandy in Grease, Olivia Newton-John had already been pursuing her dual passions of singing and acting long before that role came up. She released her first single ‘Till You Say You’ll Be Mine’ on Decca Records in 1966, formed the touring duo Pat And Olivia, joined the ill-fated group Toomorrow, kickstarted a solo career and represented the UK in the Eurovision Song Contest before Grease took her to even headier heights in 1978. After playing Sandy, she continued to release records and take on parts in TV and film before reuniting with her co-star John Travolta on the festive album ‘This Christmas’ in 2012. Newton-John died in August at the age of 73 following a battle with cancer.

Darius Campbell Danesh (August 19, 1980 – August 11, 2022)

Darius Campbell Danesh in 2016 CREDIT: Jeff Spicer/Getty Images

When he appeared on Popstars in 2001 performing a cover of Britney Spears’ ‘Baby One More Time’, Darius Campbell Danesh became an instant star. He built on the public’s evident love for him by taking part in Pop Idol a year later, where he finished third behind Will Young and Gareth Gates. He then scored his own success by shunning Simon Cowell’s talent show-to-pop star pipeline: after turning down a record deal from the judge, Danesh hit Number One with his debut single ‘Colourblind’ as his first album ‘Dive In’ landed in the Top 10. He died in August at the age of 41 after accidentally inhaling chloroethane.

PnB Rock (December 9, 1991 – September 12, 2022)

PnB Rock in 2020. Credit: Gilbert Carrasquillo/GC Images

Rakim Hasheem Allen, better known as rapper PnB Rock, was on the up at the time of his death in September. After getting signed by Atlantic in 2015 following the release of a mixtape he’d written while in jail, the 30-year-old star had been building momentum with tours with Lil Baby, features with Lil Wayne and Quavo, and a huge collaboration with Chance The Rapper and Ed Sheeran in ‘Cross Me’. Shortly before his death, he launched his own label, New Lane Entertainment, hinting at a future focused on giving himself and other rising rappers artistic control.

John Hartman (March 18, 1950 – September 22, 2022)

Doobie Brothers’ John Hartman in 1989 CREDIT: Jim Steinfeldt/Michael Ochs Archives/Getty Images

John Hartman helped form the Doobie Brothers in 1970 as their then-sole drummer. A year later, Michael Hossack was added as the second sticksman, playing in tandem with Hartman until the latter left the band in 1979. Before he departed the group, though, the legendary drummer contributed to a series of hit singles and albums, from ‘Listen To The Music’ to ‘What A Fool Believes’. Hartman later rejoined the band in 1987, and was inducted into the Rock & Roll Hall Of Fame with his former bandmates in 2020. He died in September at the age of 72.

Coolio (August 1, 1963 – September 28, 2022)

Coolio performing at Riot Fest in 2022. CREDIT: Jason Squires/FilmMagic

LA rapper Coolio first rose to fame as a member of the rap collective WC And The Maad Circle, before splintering off as a solo artist in 1994 with his debut album ‘It Takes A Thief’. That record scored him instant success, peaking at number eight on the Billboard 200 and setting him up for even bigger acclaim a year later when he released the enduring, iconic hit ‘Gangsta’s Paradise’. The track was the biggest hit in the US in 1995 and the second best-selling single in the UK that same year, while it also earned Coolio his first Grammy. He released a further seven albums in his career, including his final one, ‘From The Bottom 2 The Top’, in 2009. He died in September aged 59 following a cardiac arrest.

Jerry Lee Lewis (September 29, 1935 – October 28, 2022)

UNITED STATES – CIRCA 1957: 1957, Tennessee, Memphis, Jerry Lee Lewis. (Photo by Michael Ochs Archives/Getty Images)

Billed as “rock’n’roll’s first great wild man”, Jerry Lee Lewis was known for his high-energy performances which helped rock’n’roll become a force to be reckoned with in the US in the ‘50s. After making his mark with the likes of ‘Great Balls Of Fire’ and becoming embroiled in scandal surrounding three of his marriages – including one to his 13-year-old cousin – Lewis switched lanes to country music, where he enjoyed great success. He died in October aged 87.

Takeoff (June 18, 1994 – November 1, 2022)

Migos’ Takeoff performs live. CREDIT: Prince Williams/Wireimage

Migos’ quietest member Takeoff was also arguably the rap trio’s most instrumental, helping perfect their triplet flow. Over the course of the group’s many hit releases, he showed maturity, growth and undeniable, irresistible talent, while his solo album, 2018’s ‘The Last Rocket’, gave him his real opportunity to shine – and shine he did. Numerous guest features with the likes of Calvin Harris, Roddy Ricch, Pop Smoke, Lil Wayne and more further highlighted his lyrical dexterity, marking him out as a go-to name for those looking for smart, slick guest verses. Shortly before his death, he teamed up with his Migos bandmate Quavo for the joint album ‘Only Built For Infinity Links’, which only added to his growing momentum – something that was tragically halted in November when Takeoff was fatally shot, taking a modern hip-hop hero from the world.

Mimi Parker (September 15, 1967 – November 5, 2022)

Mimi Parker of Low CREDIT: Barry Brecheisen/WireImage

A singer and drummer for Low, Mimi Parker joined the band shortly after its inception, using a kit comprised of just one snare, one cymbal and one floor tom, with brushes instead of drumsticks. Vocally, her voice intertwined with her husband’s, Alan Sparhawk, combining to create a mesmerising tapestry that added to the band’s quiet, mysterious feel. As Low continued, Parker’s confidence grew as she took on lead vocals on more songs, including ‘Shame’ – her first time in the spotlight. She died in November at the age of 55 from ovarian cancer.

Aaron Carter (December 7, 1987 – November 5, 2022)

Aaron Carter. Credit: Gabe Ginsberg via Getty Images

Aaron Carter began performing and releasing music as a child star, releasing his debut album in 1997 at the age of nine. His older brother Nick had a starring role in the Backstreet Boys, and Carter’s first public solo performance was supporting the inimitable boyband in Berlin. The remainder of his short life was impacted by financial and legal issues, alongside battles with his mental health. He died in his California home in November aged 34. TS

Nik Turner (August 26, 1940 – November 10, 2022)

Hawkwind’s Nik Turner in 1971. Credit: Evening Standard/Hulton Archive/Getty Images.

A symbol of musical experimentalism, Nik Turner picked up his passion of expression over expertise from free jazz and decided to incorporate that attitude into rock. His first opportunity to do so was with Hawkwind, who invited him to join on saxophone while he was working for them as a roadie. Later, he formed and was integral to the bands Sphynx, Inner City Unit and Space Ritual, never losing sight of his love of invention. Turner died in November, aged 82.

Keith Levene (July 18, 1957 – November 11, 2022)

Keith Levene performs live with Public Image Limited in 1980. Credit: Tom Hill/Getty Images.

Levene first came to prominence as a founding member of The Clash. Despite being responsible for recruiting Joe Strummer from The 101’ers, the north London guitarist’s tenure in the band lasted a matter of months before he was dismissed, and he was credited with just one song, ‘What’s My Name’, on The Clash’s self-titled debut album (“I wrote more than I got credited for on the record,” Levene later claimed. “It was me and Mick [Jones] that wrote those tunes”). Following the break-up of the Sex Pistols, its singer John Lydon joined forces with Levene in 1978 to form Public Image Ltd (PiL). The band’s debut single ‘Public Image’ broke into the UK top 10, but, three albums later, Levene departed PiL after falling out with Lydon over their fourth album. Levene, who also operated as a solo artist and later worked with Red Hot Chili Peppers, died in November at the age of 65 following a battle with liver cancer. SM

Christine McVie (July 12, 1943 – November 30, 2022)

Christine McVie in 1969. Photo by Evening Standard/Hulton Archive/Getty Images

Before she joined Fleetwood Mac in 1970, Christine McVie was already making moves in the British music scene, most notably as a member of the blues band Chicken Shack. After she married John McVie, though, she left the latter group to join the band she would become most commonly associated with, later moving to the US with them where they became one of rock’s most infamous and influential acts. Outside of Fleetwood Mac, she released three solo albums and 2017’s ‘Lindsey Buckingham Christine McVie’ with her FM bandmate. She died in November aged 79 after a short illness.

Wilko Johnson (July 12, 1947 – November 21, 2022)

Wilko Johnson performing at London’s Shepherd’s Bush Empire on October 18, 2022. Credit: Lorne Thomson/Redferns.

John Andrew Wilkinson might not have been well-known by his birth name, but mention his stage name – Wilko Johnson – and an image of a revered musician will instantly be conjured. A member of pub-rockers Dr. Feelgood, the guitarist developed an inimitable style on his instrument that later influenced the likes of Paul Weller and Franz Ferdinand’s Alex Kapranos. Later, Johnson joined Ian Dury’s The Blockheads and formed his own act, The Wilko Johnson Band, keeping his influence going for decades to come. He died in November at the age of 75.

Jet Black (August 26, 1938 – December 6, 2022)

The Stranglers’ Jet Black in 1986 CREDIT: Steve Rapport/Getty Images

In 1974, Jet Black – AKA Brian John Duffy – formed The Stranglers, leaving behind a life in the ice cream and off-licence businesses in favour of punk. He formed the backbone of the band on drums and came up with the idea for their biggest hit, ‘Golden Brown’, alongside keyboardist Dave Greenfield. In 2015, he stopped performing after suffering from chest problems and arrhythmia. He died in December, aged 84.

Angelo Badalamenti (March, 22 1937 – December 11, 2022)

Angelo Badalamenti performs on stage during the David Lynch Foundation’s DLF Live presents “The Music Of David Lynch” at The Theatre at Ace Hotel on April 1, 2015 in Los Angeles, California. (Picture: Kevin Winter/Getty Images)

A prominent composer and arranger, Angelo Badalamenti was best known for his collaborations with David Lynch. The New Yorker first worked with the director on the 1986 movie Blue Velvet before then scoring Lynch’s cult classic TV series Twin Peaks (as well as the 2017 reboot Twin Peaks: The Return) and his 2001 film Mulholland Drive. Badalamenti would later describe his creative partnership with Lynch as “my second-best marriage”. His long career also featured collaborations with the likes of David Bowie, Paul McCartney (who apparently informed him at Abbey Road that the Queen was a Twin Peaks fan) and Pet Shop Boys, while he also composed the ‘Torch Theme’ for the 1992 Olympics in Barcelona. Badalamenti passed away at the age of 85 in December from natural causes. SM

Terry Hall (March 19, 1959 – December 18, 2022)

The Specials’ Terry Hall CREDIT: Mike Lewis Photography/Redferns

The leader of The Specials, Terry Hall was a singer who became synonymous with sharing stories of Britain’s working classes and, in the band’s early years, its disenfranchised youth. With The Specials, Hall became a pioneer of 2 Tone, while he would also expand his musical palette with Fun Boy Three, The Colourfield, Vegas, a bright solo career and more. In 2001, he appeared as a guest on Gorillaz’s single ‘911’, while other collaborations with the likes of Lily Allen, D12 and Tricky highlighted the respect and influence that surrounded the musician. Hall died in December aged 63 following a short illness.

Martin Duffy (May 18, 1967 – December 18, 2022)

Primal Scream’s Martin Duffy CREDIT: Roberto Ricciuti/Redferns

Martin Duffy lived most of his life in the music world, joining indie band Felt when he was just 18 years old in 1985. He remained with them until they disbanded in 1989, after which he joined Primal Scream, with whom he had already contributed keyboards on their first two albums. He would also perform with The Charlatans after the tragic death of their keyboardist Rob Collins, while he also collaborated with the likes of Paul Weller and The Chemical Brothers. Duffy died in December at the age of 55.

Additional words: Erica Campbell, Sam Moore, Thomas Smith 

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‘National Treasure 3’ with Nicolas Cage “still” happening, says producer

National Treasure producer Jerry Bruckheimer has revealed that a third film with Nicolas Cage is “still” in the works.

Earlier this month, Disney+ released National Treasure: Edge of History, a spin-off TV series of the popular film franchise. The show introduces a brand-new cast, which doesn’t include Cage.

Speaking with E! News, however, Bruckheimer clarified that the actor still has a future in the franchise, and that a third film is currently being developed on top of Edge of History.

“We said we’d like to make another National Treasure and they [Disney] said, ‘Sure, let’s come up with a new cast,’” Bruckheimer said. “At the same time, we were developing National Treasure for the theatres with Nicolas Cage – which we still are. So, that’s ongoing.”

Nicolas Cage at the premiere for ‘The Unbearable Weight Of Massive Talent’ CREDIT: Taylor Hill/FilmMagic

Earlier this year, Cage played down the possibility of a third film, suggesting it would be difficult to convince Disney to go ahead with the project.

“The phone stopped ringing. It was like, ‘What do you mean we’re not doing National Treasure 3? It’s been 14 years. Why not?’” Cage told GQ in March. “Well, [Disney’s] Sorcerer’s Apprentice didn’t work, and Ghost Rider didn’t really sell tickets. And Drive Angry, that just came and went.”

He continued: “I enjoy making movies like Pig and Leaving Las Vegas more than I enjoy making movies like National Treasure.

“When I talk about fair-weather friends in Hollywood, I’m not talking about Jerry [Bruckheimer]. I’m talking about Disney. They’re like an ocean liner. Once they go in a certain direction, you’ve got to get a million tugboats to try to swivel it back around.”

Back in April, Cage said he was hoping to land more comedic roles in the future, adding that he’s particularly “curious” about musicals.

“I’m excited that the comedy is back on the menu. It hasn’t been there for, gosh, 15 years,” he said. “That’s nice that I may have the opportunity to do more comedy. But I’ve never done a musical. That would be something that I would be curious about.”

National Treasure: Edge Of History is now streaming on Disney+

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Two top executives plead guilty to fraud in FTX case

Top FTX executives close to Sam Bankman-Fried, Caroline Ellison and Zixiao “Gary” Wang, have pleaded guilty to fraud and are cooperating with prosecutors. The pair were convicted “in connection with their roles in the fraud that contributed to FTX’s collapse,” said Damian Williams, the US Attorney for the Southern District of New York in a press conference.

Ellison, the former CEO of FTX sister company Alameda Research and ex-girlfriend of Bankman-Fried, pleaded guilty to seven counts and faces up to 110 years in prison. Former FTX co-founder Wang pleaded guilty to four counts and faces 50 years. Depending on the level of cooperation, however, they could receive lighter sentences. The pair also face civil fraud charges filed by the Securities and Exchange Commission (SEC) and Commodity Future Trading Commission (CFTC). Both were released on $250,000 bonds.

Statement of U.S. Attorney Damian Williams on U.S. v. Samuel Bankman-Fried, Caroline Ellison, and Gary Wang pic.twitter.com/u1y4cs3Koz

— US Attorney SDNY (@SDNYnews) December 22, 2022

The announcement was made as Bankman-Fried was being extradited from the Bahamas to New York, and add to his mounting legal woes. Wang’s lawyer Ilan Graff said that his client has “accepted responsibility for his actions and takes seriously his obligations as a cooperating witness,” according to The Washington Post

Despite their cooperation, the SEC didn’t mince words in laying out its case against Ellison and Wang. “Mr. Bankman-Fried, Ms. Ellison, and Mr. Wang were active participants in a scheme to conceal material information from FTX investors,” said SEC deputy director of enforcement, Sanjay Wadhwa. “By surreptitiously siphoning FTX’s customer funds onto the books of Alameda, defendants hid the very real risks that FTX’s investors and customers faced.”

Bankman-Fried, meanwhile, is accused of a long list of misdeeds by multiple agencies, including the SEC, Department of Justice and CFTC. Those include defrauding FTX investors and customers of more than $1.9 billion, multiple counts of wire fraud, conspiracy to defraud investors by sharing misleading information and “surreptitiously” siphoning customer funds. The CFTC also alleges that Bankman-Fried and his cohorts “took hundreds of millions of dollars in poorly-documented ‘loans’ from Alameda,” which they then used to purchase real estate and make political donations.

Tory Lanez declines to testify in Megan Thee Stallion shooting trial

Tory Lanez has declined to testify in his own defence in the ongoing trial where he is accused of shooting Megan Thee Stallion.

Lanez (real name Daystar Peterson) is accused of shooting Megan (real name Megan Pete) in the foot in July of 2020 during a dispute that unravelled following a pool party at reality star Kylie Jenner’s house in California.

He faces three felony charges, all of which he denies: one count of assault with a semiautomatic firearm; one count of carrying a concealed, loaded, and unregistered firearm in a vehicle, and a third charge of discharging a firearm with gross negligence.

If convicted Lanez faces a possible 22 years and eight months in prison in addition to deportation since he is a Canadian citizen.

Appearing in court yesterday (December 21), Peterson told the judge before opening statements (via Rolling Stone): “I will not testify.”

During the day’s proceedings, Megan’s lawyer Alexander Bott called the trial “a case about a guy who shot a girl, people saw it, and then he apologised for it,” saying the alleged incident occurred because of “nothing more than a bruised ego”.

He added: “You know what? Megan did find the courage to come out. She did find the courage to [say] what the defendant did to her, and after more than two years of this torture, it is finally time for you, members of the jury, to find the defendant guilty.”

Megan Thee Stallion performs live in 2022. CREDIT: Kevin Winter/Getty Images for iHeartRadio

Elsewhere, Bott referenced the testimony of Megan’s ex-assistant Kelsey Harris, who took to the witness stand last week and appeared to retract an earlier statement that Peterson threatened her with gun.

“She was only thinking about Megan at that time,” Bott said. “I just want to stop here for a second. The defence is asking you to believe that Kelsey Harris shot Megan that night, then was comforting her and [held] Megan’s legs bleeding on her.

“Are these the actions of a girl who just shot Megan?” he added. “Within five minutes of the shooting she sends this text message. Is Kelsey some kind of sophisticated criminal mastermind I didn’t know about, where she’s framing the defendant within five minutes? The defence doesn’t make sense.”

In response, defence lawyer George Mgdeseyan said the prosecution’s claim is “full of holes,” adding: “Megan Pete is a liar.”

Last week (December 13), Megan delivered an emotional testimony in court. Taking to the stand at the Los Angeles court, Pete was reportedly visibly emotional and told prosecutors she was “nervous” to testify, according to Billboard.

She also teared up repeatedly as she spoke about depression and suicide. “I wish he would’ve just shot and killed me if I knew I was going to have to go through this torture,” she said (via LA Times).

Closing arguments in the case continue today (December 22).

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Tim Westwood booked to play New Year’s Eve party in London despite sexual misconduct allegations

Tim Westwood has been booked to perform at a New Year’s Eve party in London, despite the DJ being accused of sexual misconduct by multiple women.

The Hatch Club shared a poster announcing the event on their Instagram page earlier this week. The venue is promising the “littest party in London” from 9pm to 4am on December 31, with Westwood behind the decks. Tickets are on sale for £10.

Westwood himself announced the performance much earlier, on November 29, sharing the poster to his own Instagram page. The DJ – who also performed at a party in Lagos, Nigeria over the weekend – has since reshared the poster multiple times.

 

According to The Sun, multiple comments left on the Hatch’s Instagram page announcing the performance have since been deleted. NME has reached out to Hatch Club for comment regarding their decision to book Westwood for the event.

Westwood, a former BBC Radio 1 and Capital Xtra presenter, was first publicly accused of sexual misconduct by multiple women earlier this year. His alleged behaviour was detailed in a joint investigation conducted by The Guardian and BBC, and a BBC Three documentary titled Tim Westwood: Abuse of Power.

Three women accused Westwood of opportunistic or predatory sexual conduct when they agreed to meet with the DJ for a discussion regarding the music industry of their work. They were aged 17, 19 and 20 at the time of the alleged incidents. Four other women claimed the DJ groped them when they attended his club night sets. All seven women were Black.

Westwood denied all these allegations when they emerged. Shortly afterwards, Capital Xtra’s parent company Global Radio announced that, due to the claims, Westwood would be stepping down from his Capital Xtra radio show “until further notice”. Multiple venues cancelled planned DJ appearances from Westwood.

Despite BBC’s Director General Tim Davie saying in April that the station found “no evidence of complaints” being made against Westwood, in July, the company revealed they received six allegations of misconduct against the DJ prior to the aforementioned accusations becoming public in April.

The same month, more accusations came to light. One woman came forward to allege that Westwood had sex with her several times when she was 14 and he was in his 30s. Two other women said they were sexually assaulted by Westwood when they were in their mid-teens, and another said she was in a “controlling” relationship with Westwood when she was 16 and he was in his 40s. Westwood again denied all allegations.

In August, the BBC launched an independent inquiry into what the corporation knew about Westwood’s alleged conduct. The inquiry is set to last six months, and the BBC wants to include Westwood’s other employees, MTV and Global. As part of the investigation, the inquiry will also examine whether concerns about Westwood’s behaviour were a factor in his departure from the BBC in 2013.

For help, advice or more information regarding sexual harassment, assault and rape in the UK, visit the Rape Crisis charity website. In the US, visit RAINN.

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Wayne Coyne says Aaron Sorkin wanted to make Flaming Lips musical about 9/11

Wayne Coyne has spoken about a lost Flaming Lips musical which he said screenwriter Aaron Sorkin wanted to be about 9/11.

READ MORE: Life, death, love, drugs and spider-bites: Wayne Coyne looks back on 20 years of The Flaming Lips’ ‘The Soft Bulletin’

In 2007, it was announced that the US psych-rock band’s seminal 2002 album ‘Yoshimi Battles the Pink Robots’ would be adapted for the stage, with the frontman having previously shared that he and screenwriter Sorkin had discussed ideas.

It was also set to be adapted by Tony-winning director Des McAnuff. In a new interview with Yahoo!, Coyne has elaborated on how he and Sorkin had conflicting ideas for the stage production.

“The Aaron Sorkin part is… I mean, I don’t remember it all that precisely, but we did a meeting. We were in New York City — I think we were going to be on the David Letterman Show or something — and in the afternoon we were going to meet with some potential writers,” Coyne said.

The Flaming Lips’ Wayne Coyne. Credit: Jim Dyson/Getty Images

He also recalled how there was a strike on Broadway that day and the writers has “a lot on their minds”.

“And here’s my little record, and they’re talking about what it could be! We were only allowed to meet for probably 20 minutes or something.”

He continued: “You’ve got to remember, this is… not that long after the World Trade Center planes, the 9/11 stuff, all happened, and we were still dealing with George Bush Jr, who was the president.

He then explained that Sorkin wanted the musical to revolve around that period. “He saw the ‘Pink Robots’ as being the evil George Bush empire. And I really don’t know why I was so opinionated, but I just said, ‘Oh, I don’t really like that idea.’ Not that I had a better idea, but I just didn’t see this music as being connected to politics and stuff, you know?

“I mean, I felt like ‘Yoshimi Battles the Pink Robots’ is going to last forever, but George Bush will be gone in a couple of years, so who cares? But I think [Aaron] was like, ‘Oh, so you’re going to say no to my idea?’ I mean, he wasn’t mean, there was nothing bad said, but I just got the feeling that he was like, ‘Well, that’s the way I see it. And if you don’t see it that way, see you later!’”

McAnuff later publicly shared that Sorkin exited the project because the musical would be sung-through. The ‘Yoshimi’ musical premiered in San Diego in 2012.

Meanwhile, The Flaming Lips recently added two more UK shows to their 2023 tour, where the band will play ‘Yoshimi Battles The Pink Robots’ in full to celebrate its 20th anniversary.

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Brixton Academy’s licence could be temporarily suspended after Asake crowd crush

Brixton Academy’s licence could be temporarily suspended after a crowd crush at an Asake gig this month which killed two people.

The incident occurred on December 15, when people who were outside the venue tried and were able to force their way in to the Nigerian star’s show, leading to overcrowding in the venue and the gig being cancelled half way through.

Rebecca Ikumelo, aged 33, died in hospital on Saturday morning (December 17), while Gaby Hutchinson, 23, died on Monday (December 19). A third attendee, aged 21, remains in hospital in a critical condition.

Following the incident, Scotland Yard has applied to have the venue’s licence temporarily suspended, citing “serious crime and disorder” during the show, while a separate criminal investigation from the Metropolitan Police has been launched, applying for a review of the venue licence. As of now, the venue remains closed.

Today (December 22), decisions will be made at Lambeth council chambers with regards to venue capacity, stewarding, alcohol sales and the suspension of the O2 Academy’s licence.

A spokesperson for the Met said: “The decision whether or not to suspend or vary the premises licence will be made by a Local Authority Licensing Subcommittee.”

The application for the licence review added: “Police were called to the premises in response to reports of serious disorder with a clear threat to public safety. During the incident, a crowd forced their way into the venue leading to serious injuries to several individuals, and two individuals have since lost their lives.

“The Met contend that the premises is associated with serious crime and serious disorder. A certificate signed by Detective Superintendent Daniel Ivey has been provided to this effect.”

Brixton Academy cordoned off by police on December 16, 2022, the morning after a crowd crush during an Asake gig. Credit: Dan Kitwood/Getty Images.

In an open letter, Lambeth councillors wrote: “Our thoughts are with the family and friends of Rebecca Ikumelo and Gaby Hutchinson who lost their lives, as well as with those who remain in hospital and those suffering the trauma of witnessing such distressing scenes at one of our borough’s live music venues.

“The venue is currently closed and we are set to undertake an urgent, in-depth review of its licence, which covers the legal conditions it must meet to run, including its public safety arrangements. This follows the Met Police submitting an application for a ‘Summary License Review’ on Tuesday.

“The council’s Licensing Sub-Committee will meet to consider immediate measures that need taking in relation to the venue, ahead of a full review of the premises’ licence which must be completed within 28-days.

“This review will be part of ongoing efforts to both seek answers and ensure such an incident never happens again.”

The venue said they “continue to be devastated by this tragic situation and are fully supporting the ongoing investigation”.

The police have called for anyone with information that could potentially help the case to come forward and have set up an online portal for people to submit information, images or footage. They estimate that there were around 4,000 witnesses present at the time of the incident.

Asake published a statement to his social media accounts on Saturday in response to the news of Ikumelo’s death, in which he said he had spoken to her family and “will continue to do so”.

“I am overwhelmed with grief and could never have imagined anything like this happening,” he wrote.

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